Review-The Light in the Piazza (1.28.06)

The Light in the Piazza (Saturday, 1.28.06)
Vivian Beaumont Theatre, New York, NY

By: Adam Guettel (music, lyrics), Craig Lucas (book)

Starring: Victoria Clark (Margaret Johnson), Katie Clarke (Clara Johnson), David Burnham (Fabrizio Naccarelli, u/s), Chris Sarandon (Signor Naccarelli), Michael Berresse (Giuseppe Naccarelli), Sara Uriarte Berry (Franca Naccarelli), Patti Cohenour (Signora Naccarelli), Beau Gravitte (Roy Johnson)

This is my first viewing of this show since the major cast changes, and the good news to report is that it is still a strong piece. While none of the replacement actors is as strong as strong as the actors they replace, each brings their own qualities, and still connect in this remarkably beautiful piece. Still soaring is Adam Guettel’s tremendous score, and still touching is Craig Lucas’ beautifully constructed book. This was and remains the most beautiful and most touching new musical of last season.

Katie Clarke joins the cast as the fresh new Clara Johnson. Clarke looks the part and is particularly good as a sweet-faced 12-year-old, what she lacks is that soaring soprano which transforms easily into the more sensual 26-year-old woman that she really is. It is difficult, because Clarke replaced Kelli O’Hara, probably the perfect actress for the part, and by that yardstick she fails miserably. But she is a passable replacement, and certainly over time will grow into the part.

Understudying for Aaron Lazar is David Burnham, who is clearly having fun in a role that is a really well beyond his reach both vocally and dramatically. Burnham seems to be trying a little too hard in all respects. He is obviously playing the character, but he never really inhabits it like his predecessors. Nevertheless, it is fun to see an actor really relish his opportunity to go on stage.

Chris Sarandon is probably the best replacement of the three. His Naccarelli is a little more stern and a little less charming, but equally as compelling and appropriate for his character. He doesn’t sing particularly well, but the character doesn’t really call for that anyway. He counterbalances Victoria Clark’s performance quite well.

Victoria Clark is still the center of this show, and her performance is as rich and as moving, both vocally and dramatically, as ever. Each of her big numbers, particularly Fable, is so beautifully performed, and she peppers in her tremendous comic timing throughout the show. Her performance is truly a revelation, the kind of performance that marks a career. She makes the show truly memorable.